This Talvar has the edge

The reason I went to watch this movie was plain curiosity. And yes, with that thought playing in the back of my head, that someone is being opportunistic about this. As I began watching, I began to realise that the film was not being made with sensationalism in mind. I never guessed that the filmmaker’s motivation behind this was to seek justice. It’s the pitch and the creator’s sensibilities that speak volumes about her craft and intention. The film opens up your mind, and elevates you from being a layman. Mostly, it brings to attention that at the end of the day everything is a consequence of various individuals and their characteristics. Nothing is a system. Nothing is a process. Not even law. No system can be so watertight that it can’t be influenced by the people that are in it. A lesson I learnt after watching the movie ‘Court’ too. I have no idea how this lesson would be useful to me in life, or maybe I do. Just that I am aware could probably make me more emotionally intelligent and competent when I am going about living my life.

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And in movies, usually characters talk and behave in a manner that adds to the overall character of the film. The personality of the film in some manner dictates how each person should talk and behave. Talvar breaks it, and brings it as close to reality. There are no two of a kind. And they all speak in very different ways. It’s impossible to believe that one person was behind all their lines. In some sense finally hindi films are catching up with regional cinema.

I can’t pick a character who went wrong, because they leave no room for anyone to imagine them in any other way. Yes, but Irrfan just by his sheer presence elevates his role to make himself the face of this film. Even Prakash Belawadi and Gajraj Rao, are absolute scene stealers whenever they make an appearance. Down to the background cast, like even the bystanders are handpicked in such a manner that they were made for that role.

This film clearly proves that Meghna Gulzar belongs to a better pedigree.

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The movie that made me win

(Finally some good news in the fag end of the year. I won myself a LG Chocolate mobile for this entry. It was for a contest in CNN-IBN’s movie show ‘Now Showing’, hosted by the king of critics Rajeev Masand. You had to write about the one movie you’re never tired of watching, in under 200 words (which was the biggest challenge). And the most personal and articulate entry wins.

This was mine.)

Jaane bhi do yaaro

This film gives me immense hope that lunacy and idiocy have a purpose. I work in advertising, and for years I was facing an existential crisis, wondering if my weirdo ideas could ever find a purpose.

Jaane Bhi Do Yaaron gives every madman the confidence that somewhere beneath his stupidity lies genius.

Which is probably why it makes me return to it each time I feel lost and suffocated in the company of  intellectuals, who defeat you with their superior weapon called logic.

It makes me feel at home, in the company of fools. Or people I’d call fearless heroes, who are unwilling to sacrifice the charm of their spontaneity by trying to seek sense in everything they do or say.

The more I see it, the more I’m convinced that you don’t have to have answers to every question.

This film is one of a kind, and nobody can tell exactly why it works.

I don’t want to ruin my experience by trying to analyse that. Not even for a Rs 30,000 prize.

Chandni chowk to china

Wow!! Finally here is a movie where you can take your two year old toddler along and chase him with a cerelac bowl in the aisle. Where you can speak non-stop on the cellphone without anyone complaining. You can suddenly whistle and it wont be out of turn, because nobody knows when is the right time to do so. You can actually go through the entire list of snacks at the cafeteria, and the guy behind won’t make a fuss.

It’s like watching a rerun of a 0-0 football match where you already know that noone is going to score anyway.

The director has put together a series of jokes of different varieties, so that you might end up liking at least some of them.

Let’s begin with the story.

Akshay kumar works as a vegetable cutter in a dhaba at Chandni Chowk .

Akshay Kumar is mistaken as a reincarnation of a chinese warrior.

Akshay kumar lands in China.

Deepika Padukone is an Indian who wants to go to china. She has a twin sister who is a chinese working for a goon who has murdered her mom and she doesn’t know that and she ends up chasing akshay kumar because he is suppose to be a warrior and then something something something……and mithun lands up and gets angry and something something something. Some singing, some dancing and romance and jumping on china wall and some kung fu hustle……..Kailash kher sings sidhu sidhu sidhu…ranvir runs around in a crazy hairdo…..and your popcorn spills and the baby beside screams and you get an sms and you respond and mithun dies.

INTERVAL

Akshay takes training in a special kung fu that combines his roti making skills and vegetable cutting skills and something something something.
dam….dim…..daka..phuku…..dishhhhhhhhhhhhhhhhhh…
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The experience of watching this movie is unexplainable. Writing a blog on it is more like a challenge.

When it comes to judging movies, I have the lowest standards in the universe. I’ve enjoyed movies so horrible that it could make people doubt my character, personality and judgement.

But this movie takes a new skill to appreciate it.

A fan of Rajni said this when someone asked him just after he saw Sivaji.

Interviewer: “How was the story?”

Fan “We’ll worry about that after the seventh viewing.”

Unfortunately, unlike Rajni, Akshay is not in a stage where he can do anything without questions popping up in your mind.

It’s not our inability to suspend disbelief.

This movie is suspension of anything that your brain questions innocently. Where you have to suspend things like why is there no continuity? Why is there no story? Why did this scene jump all of a sudden? Why is he here? Why is this happening? Who is this dude? What is he doing? What happened to that chap? Why is this Chinese speaking hindi?

Questions that are more than what a paranoid client would ask at a
disastrous PPM.

At least when I watched it, there was not a single moment in the film where the audience roared with laughter in chorus. It was I liked one joke. The person beside me liked the next. It’s like a bundle of jokes hurled at you and you decide when you want to laugh depending on upto what level you are willing to expose your stupidity.

Moreover the silly jokes force you to not take them sillily, because they are shot so well. It’s like packaging Pacman into Playstation. When Goundamani kicks Senthil you laugh. But if the same were to happen with hi-tech special effects, you are left cold.

The first 20 minutes of the film actually define that it’s a ‘leave your brains home’ comedy. But then they are spoilt by some emotional scenes that are shot with such sincerity and performances that it leaves you confused as to how to exactly react to it.

The fights in the movie are pathetic. They build you up till you are on the edge of your seat and just when it’s about to start, it looks like the stunt director went on leave.

And it also seems like that after cutting flight tickets for the entire crew to China, the production ran out of money for local travel. The only location that you get to see is the Great wall of china.

Deepika Padukone is best thing to happen to this film. She looks fab in her Chinese avtaar. Her make-up artist and costume designer deserve an Oscar for that.

The chap from 36 chambers of Shaolin is the villain named Hojo. The previous sentence is all that I gathered about him in the entire film. I think the Chinese interpreter they engaged to co-ordinate between him and the director was playing pranks. The lines he speaks and the emotion attached are as mismatched as the audio and video of any Chinese movie.

Akshay Kumar is totally relatable. He represents the state of mind that the entire audience is going through, on screen. He’s perpetually confused as to what is happening.

Mithun was smart. He figured out that this film is going nowhere so decided to kill his character with about 10 minutes of screen presence.

Ranvir is superbly convincing in his role. A role that is designed to make absolutely no sense to the script.

Overall, it’s like any ‘Made in China’ maal. It’s got lots packed in it, but nothing works.

The only danger is that this review might actually end up making this film seem interestingly nonsensical.

So, go enjoy.